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Oliver! (Deluxe Edition) (1963 Original Broadway Cast) [CAST RECORDING] | ![Oliver! (Deluxe Edition) (1963 Original Broadway Cast) [CAST RECORDING]](http://ecx.images-amazon.com/images/I/51sctjZ%2BLzL._SL500_.jpg)
| Artist: Various Artists
Label: RCA Victor Broadway
Category: Music
List Price: $13.98
Buy New: $12.99
You Save: $0.99 (7%)
Rating:  24 reviews
Sales Rank: 5594
Format: Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 51432
UPC: 828765143226
EAN: 0828765143226
ASIN: B0000996JO
Release Date: June 3, 2003
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
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| Tracks:
| • | Overture / Food, Glorious Food | | • | Oliver! | | • | I Shall Scream | | • | Boy for Sale | | • | Where Is Love? | | • | Consider Yourself | | • | You've Got to Pick a Pocket or Two | | • | It's a fine Life | | • | I'd Do Anything | | • | Be Back Soon | | • | Oom-Pah-Pah | | • | My Name | | • | As Long As He Needs Me | | • | Who Will Buy? | | • | Reviewing the Situation | | • | As Long As He Needs Me (reprise) | | • | Reviewing the Situation (reprise) | | • | Finale | | • | That's Your Funeral (Bonus Track) | | • | You've Got to Pick a Pocket or Two (Bonus Track) | | • | Reviewing the Situation (Bonus Track) | | • | As Long As He Needs Me (Bonus Track) | | • | Getting the job | | • | The recording sessions | | • | What a musical director has to know with children in the cast; Shirley Temple | | • | Differences between the London and New York productions | | • | The pit and the producer; winning the Tony Award |
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| Editorial Reviews:
Amazon.com
Lionel Bart's wonderful musical adaptation of the Charles Dickens classic was the first London stage musical to be transplanted to Broadway with the same kind of sensation it received in Britain-- something that is now common in these post-Cats/Les Miserables times. Although no one from this British cast ever became enormously famous (future Monkee Davy Jones was in the second Broadway cast)--and Sir Carol Reed's film version receives all the critical accolades--this remains the better recording, featuring all the songs cut from the film, while excluding the film's musical interludes that simply seem annoying without the visuals. Just compare Bruce Brochnik to the film's Mark Lester in the title role. Or Clive Revill to Ron Moody's Fagin. Or any of the principals, for that matter--and the differences are remarkable. --Bill Holdship
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| Customer Reviews: Read 19 more reviews...
Still sounds great after all these years July 7, 2008
Mary L. Zimmer (Lynnwood, WA)
I saw this play on Broadway when it opened. I still know the lyrics!
 Unusual subject material; wonderful musical! June 27, 2008
tenor fanatic (Florida)
"Oliver!" is not a musical to be analyzed song-by-song or voice-by-voice. It is a musical to be enjoyed as a whole. While a couple of the songs did enjoy some popular success, there is really no stand-out among them; and none of the voices is out of the ordinary.
However, every song either propels the plot or reveals character traits. And every voice portrays the person it represents.
So--Sit back, close your eyes, relax, visualize the version of "Oliver!" you have seen (either the movie or on stage), and relive your theater experience. You will not be sorry.
For all times May 9, 2008
Julio Lopez (Santiago, Chile)
Charle's Dickens'musical adaptation for "Oliver Twist" showed to be a most acclaimed work of art. This is the very original version, which makes it as twice as valuable as any other version, although the movie soundtrack is quite good. Wonderful songs and a very attractive story make this an experience for all.
 Doesn't Hold Up to the Movie Version December 5, 2007
Earl A. Myers, Jr.
Although this original cast recording includes all the musical numbers, I can see why songs like "My Name" and "That's Your Funeral" were not embraced by the 1968 Academy Award winning film; they simply do not measure up to the high standards of the other tunes. Also, the orchestration lacks the lushness and fullness of the film. The singers of this and the film version both give credible performances; however, I would have to give the nod again to the film performers, if only because this collectors edition has a thin recording studio sound. It is evident from the information brochure that is included that this cast recording was hastily gotten together and seemingly lacked the numbers of choral boy singers to overcome its musical deficiencies.
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